Hollywood displaces dystopias involving government surveillance in the future (never too far away, but never too close, either), or emphasizes that actions that government actors take are those of a rogue agency or agent. See, for an example, Total Recall, Eagle Eye, Enemy of the State, and even The Hunger Games. The ensuing drama, such as in Minority Report (a murderous plot, an innocent man being framed, the system grossly abused by the director of the program) leading to the inevitable Hollywood feel-good ending (the precogs being unhooked from the system to live in peace), like explosions and romance, are necessary for Hollywood thrillers; however, all of the action also serves to displace the anxieties of such “dystopian” actions occurring right now. If the setting and the storyline seem larger and more histrionic than life, it may be easier for the viewing public to engage in the thrill of conspiracy without fearing it spilling over into their own lives.