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| | | Openness to changing/developing one's views/awareness coupled with active reflection on others' expressions allows access to a greater slice of intersubjective reality, which can lead to new and more complete ideas. Moreover, greater empathy to others’ expressions helps one to be a clarifying and productive communication partner. (There may be lepidoptery issues of content/exposure/relation/thought/feeling/equal temperament though ... I was nicknamed Little Man Tate, or Tate for short, in elementary school, and there's been more/different to think about that than I was aware of at the time. [Funny video where he's on the talk show and says "I bring in the mail" and recites the clipper ships poem currently unavailable on Youtube.] I don't want to wear red, ooh let's talk about colors, and be a sinful violent mess or whatever, I guess red's supposed to be like what happy/yum/heart some - are you blushing cause you like a giiirl? pomegranates - though it also conflates worse than that, I wear white like pure and good and nice and above board and dovish peaceful though there's some existing/comfortable/appropriate proportion/spectrum/palette of color is how the reasoning/capriciousness thing is going and expressing on that these days, right now, with healthy/tasteful Bayesian/combinative buoyancy. It was like maybe May Day, Morris dancing whatnot, though I'd never heard of that, my brother who is named Daniel's birthday is May 1st. That one's green, as I gather... and green is pleasant/peaceful seeming to me - I'm Irish - though also conflated with other things (possibly Paddy O'Pagan's olive branch for all i know / don't know, possibly not knowing asymmetric information/situation one of the associations of green, what did/do you think of the movie Greenberg? He's Got A Lot On His Mind). What do you think/know about blue (on one hand, watch out for that blue Mulholland Drive box, on another hand it's nice cool balm water and sky, more pleasant/comfortable/appropriate than some bad red stuff), or other stuff? We were all Yellow... I was and am a normal nice guy ... in the green and white ... nice content/aspect pinball machine you got there ... ) | |
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< | Reflection on the processes of constructing expressions allows more accurate and productive interpretation. What’s his situation? What are his interests? What’s his intention? What’s the tone? Is he earnest or ironic? What’s there that I haven’t incorporated? What seems to be missing? What do I know that might be relevant? What don’t I know that might be relevant? What kind of mistake might he be making? What if I’m making the mistake and not him? What might a third person have a frustrated urge to tell me about it? What might be the next step? What's on second? How unimportant/unintentional might some things be? An interesting note in Samuel Beckett's Watt, the title of which is probably or sounds/themes like it might be a pun for what (?), is "no symbols where none intended." And a friend gave me Steve Jones' Y for my birthday one year. You've got male. An owl says who? Third base. I wrote a story called "The Squirrel and the Beaver" when I was young in which the primary issue/nature was what a couple of neighborhood friends were going to do with their time. Remember The House of Mirth? Maybe Carry Fisher gave Ned Silverton something to white-tailed hornet dunderhead about. Heh. White castle Roy Leviathan Garry Shandean. K? Policy Vote? I used to work at Kash 'n Karry, some other relevant details in private personal life. "You know, I believe we have two lives: the life we learn with and the life we live with after that." Well, go ahead and mention Orwell, I guess, can probably mature nice even if there's some heretofore unknown stuff. Artsy. A content and sense audience/people muse functionality. Confucius says... | >
> | Reflection on the processes of constructing expressions allows more accurate and productive interpretation. What’s his situation? What are his interests? What’s his intention? What’s the tone? Is he earnest or ironic? What’s there that I haven’t incorporated? What seems to be missing? What do I know that might be relevant? What don’t I know that might be relevant? What kind of mistake might he be making? What if I’m making the mistake and not him? What might a third person have a frustrated urge to tell me about it? What might be the next step? What's on second? How unimportant/unintentional might some things be? An interesting note in Samuel Beckett's Watt, the title of which is probably or sounds/themes like it might be a pun for what (?), is "no symbols where none intended." And a friend gave me Steve Jones' Y for my birthday one year. You've got male. An owl says who? Third base. I wrote a story called "The Squirrel and the Beaver" when I was young in which the primary issue/nature was what a couple of neighborhood friends were going to do with their time. Remember The House of Mirth? Maybe Carry Fisher gave Ned Silverton something to white-tailed hornet dunderhead about. Heh. White castle Roy Leviathan Garry Shandean. K? Policy Vote? I used to work at Kash 'n Karry, some other relevant details in private personal life. "You know, I believe we have two lives: the life we learn with and the life we live with after that." Well, go ahead and mention Orwell, I guess, can probably mature nice even if there's some heretofore unknown stuff. Artsy. A content and sense audience/people muse functionality, some experience and design thinking. Confucius says ... you speak Chin-ese, bro? | | | In this way, interpretations can veer from one thing to another, or from a thing to its opposite. Ideally, open and reflective communication finds its way to increasingly robust understanding. | | | A reflective orientation increases one’s range in the spectrum of reasoning and capriciousness, and position on that spectrum is part of one's condition/facility. On the razor's edge of interpretation/pragmatism, we have/accept some level of awareness and capriciousness in being/behaving pleasantly and reasonably. The mix of rationality and irrationality has some manifestation of two-sidedness in results, however, one example being that from the ground up in bowling I get some score between 0 and 300, I bowl pleasantly and reasonably more or less (I have not seen myself bowling on video... ) though I 'irrationally'/incapably/happenstantially/acceptingly/enjoyably do not bowl perfect games all the time, and we can sometimes be shocked by bigger misjudgments (ooh, hit the head pin but got the 7-10 split, did you know apparently the greek church is the hardest spare to make?, not sure what I'd see or how I'd feel about the possible bowling video of me, there might be some tuning feedback, though I bowl in a personally natural way, a bit like handwriting, I am ok with my handwriting, there is probably some natural feedback mechanism to seeing it, like a deaf person may not speak as well naturally because they don't have that sense feedback, these examples vaguely suggestive of my possibly controversial/delicate karaoke career, which I haven't seen on video though I do have ears, though it's one of those first-person subjective things, getting along, might be / probably would be some level of shock to observe, it may look in no way enviable. Oh, I actually have seen myself bowling on iPhone video, it was positive/mixed/variable/fine Frank Luntz / Robert Nozick morality/pleasantness epistemology tracking monitor/clicker wise, more or less, but that's just bowling, and what kinds/degrees of surveillance judgment (and possibly manipulation) are we dealing with anyway, personally and externally, to be reasonably kind/nice/good-oriented? Pretense/expectation/orientation to/comfort of benignity generally, internally/in-itself and relatingly/affectedly/affectingly, internal/external (including other internal, externalness of you to other) being/observation/relation/interaction membrane/frontier.). Range plus point about life / stuff / doing stuff, don't be a [redacted], get out there on the [possibly redacted], though with good moral/stuff guidance/limitation, for this essay loop part. | |
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< | Thanks for bearing with this essay written/iterated in amateur interest/productivity. I currently prefer/practice one space after periods instead of two, though when I originally wrote this essay apparently I was still practicing two spaces. Either way is acceptable to thoroughfare, I mean c'mon, though there may be some good/right thought/reality/experience about it, flow/space/style and whatnot, still think/perceive about it, sometimes/maybe depends on the case, though there's like the policy generally and cases, consistency, yada yada yada. Some other content/style issue concern edits/development. Like Bill Bryson is a decent sense idea/tendency. [Singing] "Life is a highway, I want to ride it ... " God? The way and the truth and the life, the true vine, The Ten Commandments, not allowed or good/pleasant things in Leviticus (wouldn't have even thought of some of these things, some good/normal and existential)... | >
> | Thanks for bearing with this essay written/iterated in amateur interest/productivity. I currently prefer/practice one space after periods instead of two, though when I originally wrote this essay apparently I was still practicing two spaces. Either way is acceptable to thoroughfare, I mean c'mon, though there may be some good/right thought/reality/experience about it, flow/space/style and whatnot, still think/perceive about it, sometimes/maybe depends on the case, though there's like the policy generally and cases, consistency, yada yada yada, like what Emily Post or Strunk & White, etc, think/know about some things, what is the case about some things. Some other content/style issue concern edits/development. Like Bill Bryson is a decent sense idea/tendency. [Singing] "Life is a highway, I want to ride it ... " God? The way and the truth and the life, the true (di?)vine, The Ten Commandments, not allowed or good/pleasant things in Leviticus (wouldn't have even thought of some of these things, some good/normal and existential) ... | | | \ No newline at end of file |
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