Law in Contemporary Society

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VeblenandStuff 6 - 14 Apr 2010 - Main.EricaSelig
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 -- NonaFarahnik - 06 Apr 2010 Miranda is the editor of Vogue. Andy is her assistant. This is from The Devil Wears Prada.
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 I agree with the comments, and I think that advertising and, to a lesser degree, television have developed exponentially by selling us things that we don't need and wouldn't want otherwise, but think we want or need because the attractive family, or actress or athlete on TV has one. And this all ties very logically to Veblen's arguments about our relationship to 'stuff.'

One potential flaw in the argument, though, is its failure to take into account other deeply ingrained human motivations - interests in security, comfort and beauty, for example - which might drive our social and economic development. A better house, car or piece of art isn't necessarily bought, unconsciously or otherwise, as a status symbol - for many rational purchasers, the society's valuation of the purchase has little or nothing to do with anything. A better car is selected simply because it is just that: better functioning. If today's leisure class (whatever that is, to me the term conjures up an image of wealthy housewives, which is itself an outdated concept)can be identified by their high levels of financial security (and the physical and structural security that implies), can we not reclassify economic evolution in security, not status terms?

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-- AerinMiller

Has anyone seen Logorama? It's another artistic take on conspicuous consumption, focusing on the ever-presence of branding. It's a sixteen minute short -- I think it effectively confronts some of themes we've been discussing:

Logorama from Marc Altshuler - Human Music on Vimeo.

-- EricaSelig

Revision 6r6 - 14 Apr 2010 - 21:04:51 - EricaSelig
Revision 5r5 - 12 Apr 2010 - 00:47:50 - AerinMiller
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